ʻMany contemporary exhibitions focus with grim earnestness on the difficulties of social justice, environmental degradation or economic inequity. Adding humor to the equation dismantles the sense of insistent authority and reminds us that we are all complicit in these inequities. Humour can offer an astute as well as cathartic and even magical way to deal with big issuesʼ (Coblentz, 2009, sourced here).
I have no idea how some pieces come about. After drawing the weasel I realized it was floating in mid air. So, I added some hands for support. Somehow or other the hands seemed to suggest that the weasel might be getting choked. So, I called it “Man Choking Weasel”. Like many relationships between human and non-human animals it seems very enigmatic: Why would anyone be holding let alone choking a weasel? Of course, weasels have an unfortunate name to start with. I decided I needed a companion piece and I wanted this one to be enigmatic too. My subsequent thoughts were rural, farm based and gendered. So, we have a woman stealing an egg. A fairly big egg.
These two images, like still frames from an as-yet-to-be imagined film, allow the viewer to make up the story. Does this allow for a level of participation that may not be found in other forms of art? While we might from time to time situate ourselves in a painting, we rarely take the time to build a larger story. The typical amount of time in front of a piece of art is a mere 15-30 seconds. It’s hard to build a narrative from such a short exposure, but on the other hand, maybe the capacity to build a narrative is based on the psychic impact or the “relatability” of the piece rather than the temporal commitment.
Unlike public galleries the pieces we choose to place in our homes receive a different temporal and psychic complement. Like the people we choose to have in our lives pieces of art interact with us in both incidental and strategic ways. At a recent art event in Toronto I happened upon a beautifully executed work that captured some of the horror of war. I loved it, but couldn’t live with it. It belonged somewhere – just not too close to me. I could feel its weight, its importance – but it would be like living with a continuously looping war movie splayed on a wall in your home.
So perhaps when we think of inviting Art over we should consider whether he is staying for a short visit, is a potential roommate or a life partner. Art can be a light-hearted guest, and this bodes well for long term relationships.
Man Choking Weasel / Woman Stealing Egg, 9 x 12″, oil pastel on archival paper, framed. These works will be shown at Black Cat Artspace, 2186 Dundas Street West, from November 26th to December 31st in the Salon of Inclusiveness II, Holiday Show + Sale. Say hello to Art for me! Or, for additional works or queries, visit me at my website or on Facebook.