Outdoor Art : A Papel Picado Inspired by Mexico

 

We have spent considerable time in the Yucatan, Mexico. In that region almost any celebration results in the hanging of strings of “banderas de papel” called “banderitas” or, if referring to the traditional form of this art form, ”papel picado”, meaning “pecked paper”. I’ve always loved this idea of pecking and it brought to mind the many forms of “making” in birds. The pecking refers to the use of small metal chisels or blades that are struck with hammers to excise the open areas of the flags. The flags are piles in stacked layers and a pattern guide is used to ensure consistency across a large number of banderas. Tap, tap, tap, a flower blooms. Tap, tap, tap, a grinning skull takes shape. In our current times the flags are made of plastic.

dandoesdesign-ferruginous-pygmy-owl-bird-art-web
During our time in the #Yucatan Peninsula, #Mexico we could often hear the calls of the Ferruginous Pygmy #Owl. I used oil pastels to create this work on paper, celebrating the indominitable spirit of this small bird which is also, reportedly, an aggressive predator.

 

One day I came across a large rolled vinyl sign in the dumpster of a car dealership – about 5 feet in width and 20 feet long. It wasn’t long before I had this coiled languid tongue slung over my shoulder and, as many artists can relate to, I immediately felt both triumphant and apprehensive. One the one hand I had new art materials obtained at a great price. On the other hand I was wondering – where was I going to store it and what was I going to do with it? I had absolutely no idea. I counted on the fact that of the thousands of ideas constantly flowing through my head, one of them would stumble across a large vinyl log one day and fall face first into “art”. The coiled vinyl sign lay dormant, gathering dust for nearly two years.

dandoesdesign-Mexico-Cactus-Mob
Dan Nuttall, #CACTUS MOB, acrylic on canvas, 36 x 48″

 

The finishing of our new back yard this summer was a cause for celebration, we did all the design and implementation work ourselves. I thought of a party with small colourful “banderitas” but was daunted by the thought of finding and stringing a series of suspended lines in the back yard. Since art was always going to a part of our back yard, and space in downtown Toronto is always at a premium, I thought that a single large “papel picado” might suffice. It could occupy the far wall, serve as a focal point and lend an air of celebration and diversity to the setting. I would use the back of the vinyl sign as the front face, providing a thin white surface.

Dan-Nuttall-papel-picado-flag-art-1
Process: I created a digital drawing, printing it on letter sized paper (42 separate pages), taped them together and taped the completed image to the back of the repurposed vinyl banner.

It took a month to produce the flag including a week of cutting by hand with a small blade. The flow of memories in the form of plants and garden and insects kept my mind alive: zebra long-wing butterflies, cardboard palms, black-eyed susan vines, night blooming cactus, ginger plants, Plumeria. The content is all farmed from memory. Plants you see in the flag are actual species, done without further research, to the best of my memory as are the two owls called Ferruginous Pygmy Owls which we have often heard while in the greener areas of the city. The butterflies, owls and cactus have all been the subject of separate works of art.

Dan-Nuttall-papel-picado-flag-art-2
It took about 40 hours to excise all the tiny section within the papel picado (“pecked paper”). 

And so the “bandera de vinilo gigante ”, the “large vinyl flag”, has now come into being. Retrieved from the landfill, memories extracted, pecked from time. I feel like celebrating. Loteria!!

Dan-Nuttall-papel-picado-flag-art-4
The final artwork is 55 x 77″, made from material diverted from landfill, takes up little space and turns our back yard into a gallery. Also weather-proof though not approved for climbing critters!

You can see more of my work here: http://www.dandoesdesign.com

Advertisements

Stilled Life With Curriculum : Art Responds to Ontario’s Sex Education Curriculum Controversy

In Ontario, Canada, the introduction of a new sexual education curriculum has caused considerable controversy. You can find recent news coverage regarding this issue HERE and HERE.

Dan-Nuttall-art-installation-Stiiled-Life-With-Curriculum-web

This art installation by Canadian artist Dan Nuttall intervenes by holding a mirror up to this controversy. On top of the desk sit “bivalves” on a silver serving tray. The bivalves, made of cast concrete, have shells cast from twinned jockstrap cups. Inside the shadowed wood school desk interior, but visible to the observer, sits a shucking knife. The knife sits on top of overlapping “graffiti” – statements made by those who oppose the new sexual education curriculum.

Dan-Nuttall-art-installation-Stiiled-Life-With-Curriculum shucking knife desk

You can read statements by those who oppose this new curriculum HERE.

Dan-Nuttall_Stilled-Life-With-Curriculum_Desk-Interior-Graffiti-web

The desk and its contents sit in dialogue with a large, offset rectangle on a nearby wall – a chalkboard.

Dan-Nuttall-art-artist-installation-Stiiled-Life-With-Curriculum-bivalves-on-tray-top

This work was exhibited at Roadside Attractions in Toronto, Ontario in the Fall of 2017 from August 2 to September 13.  Roadside Attractions, a long-standing art venue in Toronto, no longer exists, though there are plans to mount this installation elsewhere. If you are interested in exhibiting or purchasing this art installation you can contact the artist.

Dan Nuttall is a visual artist who works primarily in painting and installation. You can see his work at: http://www.dandoesdesign.com/

Or visit him on Facebook at: https://www.facebook.com/torontoartist/

 

Giving Men Flowers: A Pansy for Jocks

In the wake of current events such as the Harvey Weinstein debacle and the #metoo campaign I catch myself thinking about the progress that needs to be made. And as an artist I wonder – what is the role of art? To ensure the equal representation of women and all “others” as administrators and creators of art but also to provide – to guarantee – a setting free from prejudice, threat and harrassment. And what of artworks themselves – what are they saying?

In sports, many aspects of “maleness” are underpinned by “femaleness”. Some men acknowledge these underpinnings while others eschew them. I find it hard to ignore femininity in a world of spandex, padding, cups, straps, clips and girdles. In and of themselves these design “elements” are “neutral” – materials, shapes, degrees of rigidity, support, protection and wicking. Historically, these neutral design elements have been sexualized when it comes to men thinking about of women. However, it is anathema to most men to think of them as erotic when applied to other males, especially in the locker room. In the gay world all these suspensory elements are celebrated – exploited as “hyper-male”. Many a well-swung gay fantasy has rotated around the fulcrum of a jock strap.

dan-nuttall-art-jock-pansy-2-web
Dan Nuttall, “Pansy For Jocks 1”, photography and digital manipulation

How is it that we fetishize in both positive and negative ways inert elements attached to human bodies? Here, in this piece, the strange attractor of flower, as pansy, draws the inquisitive bee of attraction in, offers its stigma, styles and ovaries. And releases the bee to rejoin its community.

dan-nuttall-art-pansy-for-jocks-2-web
Dan Nuttall, “Pansy For Jocks 2”, photography and digital manipulation

 

In the male sports world I wonder if misogyny, homophobia, transphobia and the failure of men to accept “feminine” attributes contributes to violence against others and shaming of the self. This art asks men to question their relationships with their “self” and the “feminine” in the arena of sport. This art invites men to comment – but they rarely ever do. This art invites men to consider the constraints they offer to their partners, their children, their communities when they see the world as narrowly defined. This art asks men to accept femininity, to revel in it, to champion it all of the petals that make up this flower. This art invites women to send it to men they know and ask them what they think of it.

How would men respond to a world where art invited them to be more open minded? These pansies are comprised of jock strap cups and hockey girdle straps and clips. A pair, in black and white, would look great above your bed or in your living room where guests might comment. Erotic art that honours the continuum, not just the poles. Can anyone have a convincing and comprehensive strength if they cannot accept and appreciate the full spectrum of gender expression, of masculine and feminine, of weak and strong?

A gift of flowers is always appropriate, I offer these pansies to jocks and invite you to offer them too, in any form of your making.

Dan-Nuttall-art-Pansy-For-Jocks-3-web
Dan Nuttall, “Pansy For Jocks 3”, photography and digital manipulation.

I was so very pleased that “Pansy For Jocks 1” was selected by jury to auctioned off on March 30, 2017, in support of the Aids Committee of Toronto. You can read about ACT and the amazing work they do here: http://www.actoronto.org/.

“Pansy for Jocks 3” will be auctioned off on March 22, 2018 for the same amazing ACT-SNAP event! This work was awarded one of 5 prestigious Awards of Merit by the Jury, who reviewed the works anonymously. The prize includes $500 and a ticket to the Gala Auction evening. The jury for 2018 included:

  • Cheryl Powers – Photographic Artist (Chair)
  • Chantal Stepa – Co-Chair
  • Jeannie Baxter – Managing Director, Toronto Image Works
  • Aidan Cowling – Photographic Artist and Head of Communications & Development, Gallery 44
  • Erika DeFreitas – Multidisciplinary Artist
  • Kevin Kelly – Commercial and Art Photographer
  • Patrick Lightheart – Designer and Artist

SNAP! 2018 is a Contemporary Photo Competition. A juried competition for all photographers, there are cash prizes for top entries. Selected images will be included in the SNAP! 2018 silent auction, part of Toronto’s most exciting gala celebrating contemporary art photography. This year’s gala takes place March 22, 2018, at the Bram + Bluma Appel Salon at the Metro Toronto Reference LIbrary, you can read about this venue here: http://salonrentals.torontopubliclibrary.ca/about-the-refe…/

There is a PREVIEW night for the Curatorial Collection of photorgaphs as well as those photorgaphs receivign Awards of Merit. The preview runs March 8, 9, 10, at Robert Birch Gallery in Toronto, more info here: http://birchcontemporary.com/

You can see this year’s winners on the web site for SNAP, here: http://snap-toronto.com/

Please share this post if you have a moment to support this critical agency. ACT provides support services that empower men, women and young people living with HIV to achieve self-determination, informed decision-making, independence, and overall well-being. ACT does this through programs such as counselling, information provision, social support activities and programs that help people with HIV return to work.

You can see my larger body of work here: http://www.dandoesdesign.com/

 

A Beginners Guide: 5 Tips For Collecting Art

1. Get the Big Picture. One of my faves is a short publication by Canadian Art Magazine titled “Collecting Guide” which is concise and easy to read through. You can find the guide HERE.

collecting-art-guide-_canadian-art-magazine

2. Educate Yourself. Take a course on the “Art Market” or “Art Collecting” at an art college or university or museum/gallery in the evenings. For example, here in Toronto, you simply can’t go wrong by enrolling in a Hughene Acheson course in Continuing Studies at OCAD. Lively, stimulating and filled with incredible opportunities – guests and meetings with local art world luminaries and private collections – you’ll be thrilled at what you are exposed to. You can read what I have said about OCAD courses HERE.

You can also watch a video or two on “The Value of Art” By Sothebys. This collection of 10 short videos touches on topics such as authenticity, provenance, size and medium offers a robust perpsective from one of the world’s leading auction houses. You can find these videos HERE.

img_5108
What might you learn?  That “good” art holds up a mirror to society and our times?

3. Think About Your Space and Budget. Best to do this before you end up in a gallery or at an art fair. What are the advantages to thinking about “Art As Area”? You can find out HERE. Have a tape measure and a blank wall handy!

 

img_4167
“Art As Area: What’s It Worth?” by Dan Nuttall

4. Think Broadly About the Benefits of Art. I love the notion that looking for art is adaptive in an evolutionary sense – we’re essentially hunting and gathering! You can read about that, and chat about it at dinner parties later, HERE.

Keep in mind that art can also be therapeutic. You can read about the dangers of blank walls HERE.

How broad are the benefits of art? Check out this short article on how blue art can help cool, HERE.

dan-nuttall-hunters-gatherers-art-fair-artist-project-2017-web
“Hunting And Gathering: How Art Fairs Help You Evolve” by Dan Nuttall

5. Read About Art While Being Entertained. Books like “Seven Days In The Art World” by Sarah Thornton are wonderful exposure to the broader art art and how it may be contextualized. More HERE.

Equally as entertaining, Toronto based Don Thompson has written a realy stimulaitng book on “The $12 Million Stuffed Shark”, more HERE.

You can read more about the author Dan Nuttall and view his works of art HERE.

Or friend him on Facebook HERE.

Or view his Instagram feed HERE.

Streams of Thought : Mystical Emanations in Art

For just a brief moment my body, suspended mid-leap, is doubled, my reflection in the stream’s surface a fleeting portrait of a teenaged boy trapped between the blues of sky and water. I am fleet-footed at this age, able to bound from boulder to boulder, curious about the matted bundles of driftwood, the truncated forest edges, the suspended log pathways, the coursing water both hidden and in plain sight. I feel a part of nature, a creature sensing its way along a watercourse.

dan-nuttall-art-fall-stream-diptych-painting-web
Dan Nuttall, “Fall Stream”, diptych, acrylic on canvas board, 16 x 20″ each, SOLD

The stream connects me to life – a wren nest wedged where deadfall branches interlace, robust pungent moss pressed under my palms, smoothed stones, crunching sorted gravel and sand. As if a paintbrush has been flicked, a spatter of dark olive streaks dart to where my amphibious scuffing of rocks has dislodged algae. The small green cloud drifts, all pattern, change and sustenance.

dan-nuttall-art-painting-snag-stream-landscape-diptych-web
Dan Nuttall, “Snag Stream”, diptych, acryic on canvas board, 16 x 20″ each

Shoulder to shoulder bleached granite sentries create a jumbled causeway of exits and impasses. I am humbled by their smoothness, their completeness, the ease of their weighted, shouldering postures, so separate from the stuff of water and so inseparable from the idea of stream. The light is emanating around me, floating above the gravel beds, glancing back from every riffle, splashing back at the world in radiating rings, mixing with the dappled streambank shade. The world, in flux, hovers between abstract and real.

dan-nuttall-art-painting-forest-stream-quadriptych-square
Dan Nuttall, “Forest Stream”, quadriptych, acrylic on canvas board, 16 x 20″ each
dan-nuttall-art-painting-urban-stream-grid-web
Dan Nuttall, “Urban Stream”, hexaptych, acrylic on canvas board, 16 x 20″ each

 

Years later, far from any stream, but not so far from the Hudson River, I am standing in the Whitney Museum in New York City looking at the delightful paintings of Charles Burchfield. The show, aptly titled “Heat Waves in a Swamp: The Paintings of Charles Burchfield” is mostly watercolours. Many of them have been painted as if elements within the painting are vibrating, and the overall effect of the brushstrokes is one of a charged atmosphere. Here are my “emanations”.

burchfield
DETAIL, Charles Burchfield, “Autumnal Fantasy”, watercolour on paper, 1916-44

Charles Burchfield’s emanations captured sound, light and the ephemerality of nature. His watercolour painting “Autumnal Fantasy” (1916-44), seems to be alive with calls of nuthatches, while the pounding light of the sun passes in crescents through the woodland clearing and between the trees. Even the holes in tree trunks seem to emote. The very substance of nature hangs precariously on the page, waiting for entropy and the eye to force their way between the vestiges of substance. Guy Davenport, writing in “Charles Burchfield’s Seasons”, suggests that “The step from Van Gogh to Willem de Kooning is a short one… that Burchfield… took in his own way, into an idiomatic calligraphy of his own devising, a sign language for radiant light, for wind, for insect song, for emanations”. Expressionistic in his treatment of light, Burchfield’s works is often described as mystical and visionary. His paintings leave me with the feeling that he is able to see a nature more alive than nature. Though he has not received as much attention as many other American painters it is worth noting that Burchfield had the distinction of being the first person to receive a one-person exhibition at the newly opened Museum of Modern Art in New York City, in 1930.

bc-forest-interior-carr
DETAIL, Emily Carr, BC Forest Interior, 1935

 

Similarly, Emily Carr’s emanations are rooted in the mystical. While Burchfield’s emanations were more discrete and identifiable, Carr’s merged in large swooping streams of colour that radiate from nature or course through the air, becoming a vital plasm in which all things are immersed. In “Edge of the Forest” (1935), the central tree seems to be the source of an emanating aura which fills the sky. In “Juice of Life” (1939) and “Blue Sky” (1936) all of nature moves together, a synchronous coalescing flow within the universe. Carr’s exposure to Christianity, particularly her upbringing with Calvinism, her experimentation with theosophy, her later reading of The Sadhu written by B. H. Streeter (about a Christian mystic from Punjab named Sadhu Sunder Singh), ultimately become layered in her approach to painting – an approach that uses radiating or coursing illumination to depict an ecstatic source of enlightenment. In Carr’s representations of nature we find a form of reconciliation, a pronouncement of the world at peace, often with a sense of calm, harmony, or joy – akin to the experience of a soul in union with a higher power.

dan-nuttall-art-painting-broad-stream-nature-landscape-quadriptych-web
Dan Nuttall, “Broad Stream”, acrylic on canvas board, 16 x 20″ each

The emanations we perceive on the painted surface have their own language – waves, and crescents bordering on calligraphy, text, letters. What gets transmitted in a symbol? What gets lost? As the meanings behind symbols change how does this affect our interpretatio of what we perceive? Think about the #/number sign and its migration to #/hashtag or the changeful life of the “@” symbol.

Dan-Nuttall-symbolic-stream-web
Dan Nuttall, 2018, Symbolic Stream 1, acrylic, 36 x 48″

 

The painting of emanations draws our attention to nature and then beyond nature, to the unknown and unseen. Life, as if subatomic, both light particle and wave, illustrating the engine, the power, the mystery that drives it all.

By dwelling on the ephemerality that Burchfield  so boldly pronounced we are able to inhabit that “soft focus” moment of being dazzled and at peace with nature. However, unlike Carr’s mystical harmony these works present a pulling apart, a disassembly, through the use of a fractured and changeful whole. The viewer must work, engaging the parts and using energy to assemble the whole – an ecological act in itself.

You can find more of my work here: http//:www.dandoesdesign.com/

You can find me on FaceBook here: https://www.facebook.com/torontoartist/

 

How Do Blank Walls Affect Your Life?

Seen from the sky, the rectangular shape of Central Park in New York City looks like one big nature painting. Central Park functions like a nature painting too. Or, more accurately, both the park and the nature painting borrow from the same body of research. This research has demonstrated, over and over again, that people are restored by experiences of nature – whether real or virtual.

Central park

So here is an invitation. Today when you go home, take a tour with a question in mind: How do the walls that surround me affect me? And if I can’t get to the park, is there any kind of facsimile role for depictions of nature?

Nuttall what are you looking at?
Insert Volatile Porridge Brain Here

The research on this subject is expansive and, quite frankly, breathtaking in its implications. Nature can dampen road rage, nature can boost the spirits, nature can improve attention capacity.

Have a crabby friend? Get them out of doors AND get them art that they can escape into. A 2002 study lead by Andrea Taylor and her team found that people with “greener views”scored higher on tests of concentration, inhibited impulsivity, and ability to delay gratification. Want a more peaceful domestic life? Think green, think scene. Think park visits, think art that depicts nature.

dan nuttall art oil pastel painting Gertrude's Nose New York
Gertrude’s Nose, Hudson River Valley, New York by Dan Nuttall

There is likely another rectangular painting-like entity in your life that competes for your attention, the television. Generally, it doesn’t compare, unless you’re looking at scenes of nature and looking at such scenes produces an intermediary result – somewhere between a blank wall and a view out of a window. The medium is the message. Research indicates that when views are NOT of nature the television actually prevents you from engaging in reflection – something the world is sorely in need of these days. Art can fix that! By the way people who have a television in their bedroom have 50% less sex than those that don’t!

Dan Nuttall art Prospect park brooklyn new york
Dan Nuttall, Prospect Park, Brooklyn, New York City

So, let’s recap! No blank walls. Get Art!

If you can’t get outdoors, Get Art.

If you get art, art that depicts nature is a good decision.

You can find nature art here: http://www.dandoesdesign.com/

And a continual supply of recuperative art images here on my FB page: https://www.facebook.com/torontoartist/

 

A Picture Worth a Thousand Pardons?

The exhibition “The Idea of North”, which focuses on the artwork of Group of Seven member Lawren Harris, is currently on display at the Art Gallery of Ontario.

 

IMG_2580
Works by Lawren Harris, at AGO, summer 2016

Canada’s leading arts magazine, Canadian Art, has criticized the show for its “…erasure of Indigenous perspectives…” and the “…glaring omission of indigenous art”. As someone who has only recently discovered himself to be of indigenous descent, I often catch myself wondering about the parts of our culture and the parts of our “selves” that have been erased or lay dormant. How do we deal with the thing we knew existed but has been erased? How do we integrate new aspects of self that suddenly pop into view, disrupting the calm and composed surface of the self? Who am I now that I know I am someone else?

Acknowledgement is critical.

As I toured the exhibition I pondered additional absences. In most of Harris’s early paintings there are very few people, and in later iconic works absolutely no people. So too with animals – a few horses in earlier work, none in later iconic works. How can these paintings stand for “nature”? For “the North”? For a vision of a multi-cultural country? On the other hand: do all paintings have to include all things in order to represent an idea? Can the study of a single facet of a diamond play a role in understanding the diamond as a whole?

IMG_2750
Partial view of a painting, a country, an idea, without people or animals.

 

I have always had a quote running around in my brain which I cannot attribute to anyone and can only paraphrase at the moment: “Without animals there is no forest”. Some things, by definition, have to “include” in order to “be”.

My painting below was created in response to the exhibition “The Idea of North”, currently showing at the Art Gallery of Ontario.

Dan-Nuttall-art-diving-loon-final-painting-web.jpg
Dan Nuttall, Diving Loon (Gavia immer), acrylic on wood panel, 16 x 16″

 

You can read about the exhibition, which focuses on the work of Group of Seven member Lawren Harris, here: http://www.ago.net/the-idea-of-north-the-paintings-of-lawren-harris

You can read the Canadian Art review of the above show here: http://canadianart.ca/reviews/lawren-harris-ago/

You can see more of my work here: http://www.dandoesdesign.com/

The Artist Project 2016 – My First Time

Toronto has a burgeoning art scene and one of the great joys of this metropolis is attending both indoor and outdoor art shows. You can find a brief overview of some of Toronto’s art shows HERE (keep in mind this an overview of 2015 shows – check back for updates on BlogTO in a few months for 2017). In the mean time you can track whatever shows seem to appeal to you in terms of geography and timing. My personal faves are are: Art Toronto, the Toronto Outdoor Art Exhibition, and The Artist Project 2017 which is occurring February 23-26 at the Better Living Centre at Exhibition Place in Toronto.

Ever wondered what it takes to be a part of a juried art fair in Toronto? Well, last year was my first time ever at The Artist Project and I can tell you – it’s challenging!! What are the variables that an artist (ahem, businessperson) must consider?


 

LIST OF ITEMS TO CONSIDER FOR ART SHOW BOOTH by dandoesdesign

  1. Creating a check list. You’d be surprised at what I am taking on site – a blow dryer (for removing vinyl name lettering at end of show, a cordless drill, business cards, price list, e-mail sign up sheet, material for closing off booth at night, a tooth brush, a small desk, a chair, a step-ladder).
  2. Reading and signing your contract (read carefully, are there any opportunities for refunds if you fall ill or there is some other interruption)? If you became ill could someone take over for you?
  3. Determining how much space you need (10 x 10′, 10 x 15′, 5 x 10′) and whether a corner booth or being part of a row is to your advantage.Last year I was part of a row and I don’t think my booth received any “more” or “less” attention than those around me based solely on booth location.
  4. Paying for space, electrical outlets, lighting, storage, liability insurance, parking pass, technology to process payments, materials for wrapping sold items, name signage, tools and supplies for hanging art, price lists, business cards, promotional materials, booth furniture (you have to sit at some point!).
  5. Transporting your art to site and having someone to help you – this is a job for two!
  6. Storing your art on site (if available).
  7. Staffing your booth when you need a break.
  8. Booth security (you’re not allowed to spend the night in your booth!)
  9. Determining how purchases will be processed (think HST/technology/cost).
  10. Solidifying and promoting your brand – and being consistent across social and traditional media (sign in book? gathering visitor’s business cards? handing out your own?).
  11. Determining which works you will show and how this fits into your overall art career strategy. This is the ultimate challenge. What will sell? Will you fill each wall from floor to ceiling or undertake a more spartan approach? If a curator or gallery owner walks by what might they think?
  12. Your personality. Can you stand for 8 or more hours and smile and be pleasant and entertain questions of all sorts and speak about your  art if requested?

 

If you’re curious about what item 2, above, adds up to, drop by my booth in 2017 and I will be happy to discuss.

You’ll also have to determine who you might like to invite to an Opening Gala if there is one. In my case it was two ardent collectors who have supported my work over the years. If there are additional general admission tickets available you’ll have to decide who else might like to come – again in my case I have an e-mail list of people who have purchases in the past and who promote my work – they get first crack. You’ll also have some free tickets to give away during regular show hours – make sure you line these people up too!

TAP art sequence
Cloud Cover (L), Shore Lines (C) and Siwash (R)

I use my computer to lay out my space in both plan and exploded elevation. In plan I can place my lights, art, front desk and furniture for visitors. I also use this approach to lay out the sequence of images should one/some/any of them sell.

TAP art sequence 4
Abstracts in Cool Blue (L), War Machines (C) and Black Clouds (Vancouver)(R)

In my case I asked two knowledgeable individuals that I trust to “read me the riot act” – what stays, what goes, and what excites them? How do the pieces related to each other? What story can I tell about an “set” that occupies my walls? What role does chronology play? One of these individuals is an art administrator/programmer/consultant and the other is a well known artist/jurist/curator. Both are avid visitors to art happenings and shows. Thanks to both of them for their counsel – it’s hard for artists to look at their work from the outside and I can’t thank you enough!!!

Looking across all your work an overall theme or subset of themes may play an organizing role, as might colour or how linework complements or leads the eye. Content may be irrelevant at a distance. I am also going to have a diversity of price points including some slightly earlier pieces which are smaller and less costly so that I can accommodate all types of collectors. I remember being a student and wanting to support art!

 

 

There’s no denying that blue is the world’s favourite colour and scenes of nature are therapeutic but that’s not stopping me from introducing some bold works that abstract, or address topics like extinction, my recently discovered aboriginal history, animal intelligence and machines of war.dan nuttall extinction is a won war dodos art

If you decide to enter a fair or art show just keep in mind your budget, your long term art goals and your willpower. Keep your web site and social media up to date. You can see my web site HERE and my artist profile for The Artist Project 2016 HERE and a piece donated for fundraising which will be sold HERE.

And lastly, stay the course. Whenever I feel challenged in any moment my last battle cry is” ONWARD!

Good luck!