Giving Men Flowers: A Pansy for Jocks

In the wake of current events such as the Harvey Weinstein debacle and the #metoo campaign I catch myself thinking about the progress that needs to be made. And as an artist I wonder – what is the role of art? To ensure the equal representation of women and all “others” as administrators and creators of art but also to provide – to guarantee – a setting free from prejudice, threat and harrassment. And what of artworks themselves – what are they saying?

In sports, many aspects of “maleness” are underpinned by “femaleness”. Some men acknowledge these underpinnings while others eschew them. I find it hard to ignore femininity in a world of spandex, padding, cups, straps, clips and girdles. In and of themselves these design “elements” are “neutral” – materials, shapes, degrees of rigidity, support, protection and wicking. Historically, these neutral design elements have been sexualized when it comes to men thinking about of women. However, it is anathema to most men to think of them as erotic when applied to other males, especially in the locker room. In the gay world all these suspensory elements are celebrated – exploited as “hyper-male”. Many a well-swung gay fantasy has rotated around the fulcrum of a jock strap.

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Dan Nuttall, “Pansy For Jocks 1”, photography and digital manipulation

How is it that we fetishize in both positive and negative ways inert elements attached to human bodies? Here, in this piece, the strange attractor of flower, as pansy, draws the inquisitive bee of attraction in, offers its stigma, styles and ovaries. And releases the bee to rejoin its community.

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Dan Nuttall, “Pansy For Jocks 2”, photography and digital manipulation

 

In the male sports world I wonder if misogyny, homophobia, transphobia and the failure of men to accept “feminine” attributes contributes to violence against others and shaming of the self. This art asks men to question their relationships with their “self” and the “feminine” in the arena of sport. This art invites men to comment – but they rarely ever do. This art invites men to consider the constraints they offer to their partners, their children, their communities when they see the world as narrowly defined. This art asks men to accept femininity, to revel in it, to champion it all of the petals that make up this flower. This art invites women to send it to men they know and ask them what they think of it.

How would men respond to a world where art invited them to be more open minded? These pansies are comprised of jock strap cups and hockey girdle straps and clips. A pair, in black and white, would look great above your bed or in your living room where guests might comment. Erotic art that honours the continuum, not just the poles. Can anyone have a convincing and comprehensive strength if they cannot accept and appreciate the full spectrum of gender expression, of masculine and feminine, of weak and strong?

A gift of flowers is always appropriate, I offer these pansies to jocks and invite you to offer them too, in any form of your making.

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Dan Nuttall, “Pansy For Jocks 3”, photography and digital manipulation.

I was so very pleased that “Pansy For Jocks 1” was selected by jury to auctioned off on March 30, 2017, in support of the Aids Committee of Toronto. You can read about ACT and the amazing work they do here: http://www.actoronto.org/.

“Pansy for Jocks 3” will be auctioned off on March 22, 2018 for the same amazing ACT-SNAP event! This work was awarded one of 5 prestigious Awards of Merit by the Jury, who reviewed the works anonymously. The prize includes $500 and a ticket to the Gala Auction evening. The jury for 2018 included:

  • Cheryl Powers – Photographic Artist (Chair)
  • Chantal Stepa – Co-Chair
  • Jeannie Baxter – Managing Director, Toronto Image Works
  • Aidan Cowling – Photographic Artist and Head of Communications & Development, Gallery 44
  • Erika DeFreitas – Multidisciplinary Artist
  • Kevin Kelly – Commercial and Art Photographer
  • Patrick Lightheart – Designer and Artist

SNAP! 2018 is a Contemporary Photo Competition. A juried competition for all photographers, there are cash prizes for top entries. Selected images will be included in the SNAP! 2018 silent auction, part of Toronto’s most exciting gala celebrating contemporary art photography. This year’s gala takes place March 22, 2018, at the Bram + Bluma Appel Salon at the Metro Toronto Reference LIbrary, you can read about this venue here: http://salonrentals.torontopubliclibrary.ca/about-the-refe…/

There is a PREVIEW night for the Curatorial Collection of photorgaphs as well as those photorgaphs receivign Awards of Merit. The preview runs March 8, 9, 10, at Robert Birch Gallery in Toronto, more info here: http://birchcontemporary.com/

You can see this year’s winners on the web site for SNAP, here: http://snap-toronto.com/

Please share this post if you have a moment to support this critical agency. ACT provides support services that empower men, women and young people living with HIV to achieve self-determination, informed decision-making, independence, and overall well-being. ACT does this through programs such as counselling, information provision, social support activities and programs that help people with HIV return to work.

You can see my larger body of work here: http://www.dandoesdesign.com/

 

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Red is…

“The reek of human blood smiles out at me” Aeschylus

A recent call for submissions put forward by Propeller Gallery in Toronto asked artists to contemplate the colour red. Timed to open on Valentine’s Day the show, titled “Red Impulse” (February 14 – March 4, 2018), left the door wide open for interpretation, the call for submission noting that red could be… “…crimson, vermilion and scarlet, the colour of extremes, communism, liberalism, powerful, violent and bloody, love and passion, fast, STOP, sweet, hot and spicy, bold, bashful, the SUN, cautious and above all…impulse”. In this blog I’m taking an inventory of sorts – a walk through the reds of memory lane.

I have always equated intense oranges and reds with the paintings of Francis Bacon and the ability of his work to act “…directly [upon] the nervous system”, to “open up the valves of sensation”. Red activates, stimulates, is a diving board. Painting happens mid-air.

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Dan Nuttall, “Red Portrait 2”, oil pastel on paper, private collection.

Red can be sinister or macabre, alluding to events that have never happened. Or might.

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Dan Nuttall, “The Tub”, digital photograph, unpublished.

Red can float, be vaporous, toxic and tremulous. Red can discharge.

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Dan Nuttall, “Red Cloud”, acrylic on canvas, private collection.

Red can signal, exclaim, pronounce and pounce. Red can pull us off course.

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Dan Nuttall, “The Red Nest”, oil pastel on paper.

Red can dazzle, dance, trick. Red can lure, vanish and sneak up behind us.

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Dan Nuttall, “Hummingbird Gorget”, 4 x 6″ each, acrylic on paper, available.

Red can be adjacent, sitting next to bone, skin and scrapes.

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Dan Nuttall, “Grater and vertebrae”, lost.

Red can be political, isolating, terse and playful.

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Dan Nuttall, “Fifty Stars and a Maple Leaf”, 45 x 762″, acrylic on wood panel, available.

Red can be remote, automatic, whirring and mindless. Red can be a button.

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Dan Nuttall, “War Machine 3”, acrylic on paper, framed, available.
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Dan Nuttall, “War Machine 4”, acrylic on paper, framed, available.

Both War Machine 3 and 4 above are currently available and are framed. You can see more of my work HERE.

You can find out more about Propeller Gallery’s RED IMPULSE show in Toronto, February 14 – March 4, 2018,  HERE.

OPENING RECEPTION at Propeller Gallery is Thursday, February 15th, 6:30-9:30.

War Machine 4, above, will be on exhibit as part of the RED IMPULSE group show at Propeller Gallery so please drop by and see this painting as well as the diverse takes on this stimulating theme by an incredibly accomplished group of artists. The Drake Hotel is nearby as are many other Queen Street West venues so you can make a night of it.

You can also follow me on:

INSTAGRAM: www.instagram.com/dandoesdesign/

HAPPY  VALENTINE’S  DAY!