Anna Ostoya, Kathy Griffin, Judith and Holofernes: Who Gets to Show?

ANNA OSTOYA, Slaying, 2016
KATHY GRIFFIN, Slayed, 2017

Anna Ostoya SLAYING web

 

In 2016 I had the pleasure of viewing Anna Ostoya’s exhibition SLAYING at Bortolami Gallery in Chelsea, NYC. Here is a quote from the gallery’s press materials:
“Bortolami is pleased to announce Slaying, Anna Ostoya’s third exhibition at the gallery. In her new paintings and photomontages, the artist deploys Artemisia Gentileschi’s iconic work, Judith Slaying Holofernes, as an image of violence inherent in art and in life. The original painting depicts the story of Judith, a Jewish widow who saves her people besieged by the Assyrian army. With the help of her maidservant, she plies Holofernes, the army general, with alcohol and then beheads him in his drunken state.
In these new paintings, Ostoya inspects the crime scene, analyzing it through geometrical abstraction. She substitutes Judith for Holofernes, in Judith Slaying Judith, and Holofernes for Judith, in Holofernes Slaying Holofernes. Each figure attacks itself. These large canvases are accompanied by smaller ones where the artist further analyzes the scene.”

IMG_0788.jpg

When, where, why is it appropriate to show a human being getting decapitated? Who gets to articulate, investigete, dramatize or commit such acts?

You can read about ANNA OSTOYA and her work here: https://www.artsy.net/artist/anna-ostoya

About her BORTOLAMI exhibition here: http://bortolamigallery.com/exhibitions/slaying/

And about KATHY GRIFFIN: everywhere.

And about me here: http://dandoesdesign.com/

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