Though the process of submitting my proposal to fieldwork and arriving at the rural site to begin installation, waves of revision have been shifting the landscape of concept and what is possible. Cost is an issue. Availability of supplies is an issue. Time is an issue. Mosquitoes are in issue – we are, after all, in rural Ontario and it’s spring. This is an iterative process – my ideas are being informed by place and my ideas are informing place. During my first few days I do small projects to get my hands dirty and to meditate on what might be. I harvest spurs from a Hawthorn and create a small plantation. I sketch trees. I explore the pine plantation and farm where I will be working. And finally…
In fairy tales and folklore the deep dark forest is a forbidding place where witches and wolves wait to prey. In the late 1800’s and early 1900’s psychoanalysts believed that the forest represented the unconscious mind and contained things that we fear or aspects of ourselves that had been rejected or neglected. They also believed that something good could come from going into the forest and confronting the darkness – an opportunity to
confront our fears and anxieties and to triumph. This installation seeks correspondences between human life and nature via the psyche and imagination, primarily by cultivating a sense of bewilderment in regard to trees. Bewilderness evokes the familiar and the new, prompting wonder and imaginative recognition, eliciting new relationships. By providing the double presence of tree and flesh we are challenged to reconsider how we relate to trees, and by extension, to other beings and nature.
More on Bewilderness HERE.